May 11, 2013 § Leave a comment
A recent trip to Portugal’s Algarve region went by pretty uneventfully until the last day. We had some time to kill before the afternoon flight back home, the tourist information guide for the Algarve mentioned that Faro was worth a visit and it certainly was! First we hit the local shopping area, which proved to be average. After a quick purchase of one single copper Cataplana (we only just managed to refrain ourselves from buying the whole set), we headed towards the Old Town (Cidade Velha). On our approach to the entrance of the old city gates we spotted Storks’ nesting on the roof of the gate and winding streets leading to an orange tree lined square, with cafe’s that were certainly beginning to make us think we should have come here first…. this was beginning to look up.
Inside the old city gates was quiet and full of old world charm, not a Costa Coffee in sight to spoil the view. Quickly regretted eating in the shopping centre as delightful cafes began to appear down interesting side roads, then just off the main square we saw a couple of people exiting from an almost hidden doorway.
I decide to investigate. As I stepped inside the doorway, I took a deep breath. Yes, I was happy now. I feasted my eyes on various eclectic objects and a whole world of antique tiles.
As we purchased a few tiles (aware that we really couldn’t carry huge amounts on the plane), we stuck up a conversation with the owner Mr Joaquim de Silva Carneiro.
Having apologised for his lack of English (which made us feel very shameful for not knowing a word of Portuguese),he very kindly let us take some pictures of his shop and then told us he would show us his private collection housed next door.
What a pleasure it was to see such an amazing cornucopia of treasures in this private museum. Whether beautiful intact tile collections that far exceeded the wonders we had just seen in the shop, artefacts recovered from the cathedrals earthquake damage – including some stunning wooden statues and doors. An elegant Chinoise travel wardrobe – sourced from a hotel. A pair of deco chandeliers, a deco bathroom, a woodworm decimated monk, an unusual rounded wooden desk with so many secret drawers… and so much more.
The building itself was also interesting with its very modern graffiti backdrop, hand painted doors for storage, quirky stairs and balustrades, wooden doorways that might be part of the fixtures or another collectible from the cathedral… it turns out originally to be a simple boatman’s workshop. Outside the building is right on the harbour with no noticeable doors or windows you would easily walk past this hidden gem and never know what wonders you had just missed.
We are eternally grateful to Mr Joaquim de Silva Carneiro for sharing his collection with strangers.
September 13, 2012 § Leave a comment
We were very excited last year when Francisca Prieto took part in the Royal Academy of Arts Summer Exhibition 2011 with her work ‘Between Folds / British Birds‘. She was selected from over 11,000 entries to be hung at the Royal Academy of Arts. Since then, she has been busy with many exhibitions to her credit.
Born in Chile and since 2003, after studying for an MA at Central Saint Martins, is now based in central London. Initially, she trained as a graphic designer, but Francisca’s main enthusiasm is for typography. By deconstructing type to create her own three-dimensional interpretation, she has created many unique works. We are lucky enough to showcase some of her limited edition prints of her deconstructed alphabet, inspired by the Latin alphabet on Raw Dice.
Francisca’s latest exhibition is on at the Mall Galleries, The Mall (near Trafalgar Square), London SW1. Running from 26th Sep – 9th Oct 2012. Open daily 10am – 5pm | Free admission. As part of the Threadneedle Prize Exhibition, which is UK’s leading showcase for contemporary figurative and representational art. This exhibition will showcase Francisca’s representation of Paris ‘Between Folds / Paris 1831‘.
Francisca’s works are collected by many private clients, as well as in major public collections, such as the Victoria and Albert Museum (my personal favourite museum), the Tate Gallery and the British Library. I urge everyone to go and see the exhibition. I might even bump into you!
February 14, 2012 § Leave a comment
… In case you were wondering whether this is a roll call of the men in my life, let me enlighten you – they are not. Last Friday I just managed to catch a glimpse of Leonardo Da Vinci’s work on display at the National Gallery exhibition. I say glimpse since it was so very busy when went, I guess due to the fact that the exhibition was due to end on the 5th Feb. Despite the civilised pushing and elbowing out of the way, I was amazed at the size and the level of detail of his drawings. His reputation as a great artist and polymath is undoubted, but nowhere in the literature about him did I see any mention of his fantastic eyesight! He must have had what we call ’20/20 vision’ and a great deal of patience and clarity, since the miniature intricate drawings are a marvel to see. I am no art historian or curator, but in my humble opinion (for what it is worth), I am guessing that his numerous drawings acted as a mini sketchbook for the big murals and pictures he created. Artists these days seem to work on a very large scale, hence the need for spaces like the Tate Modern to accommodate them. Which brings me nicely to my afternoon at the Tate Modern.
It was freezing in London last Friday, so I took refuge in the afternoon, prior to my evening visit to the National Gallery, at the Tate Modern. Currently, there are no major exhibitions on, so I spent my time going around their collections. I was really pleased to see two paintings (Marguerite Kelsey 1928) & (Portrait of a Young Woman 1935) by Meredith Frampton, which I have discovered from my regular post updates from The Persephone Books. I also discovered the very enlightening photographs of Akram Zaatari, dating from Studio photos taken in Lebanon in the 1960s and 1970s (situated on Level 5 New Documentary Forms – Tate Modern). Looking at these photos I felt as if I knew some of the people and could associate with them. Perhaps, spending part of my childhood in Turkey meant that they were not totally alien to me.
As for Rob and John, one sunny January afternoon, I had wandered over to Mottisfont Abbey (A National Trust property in Hampshire), to see Cutting Edge Contemporary Paper Art Exhibition. It showcased works from contemporary artists such as Rob Ryan, John Dilnot and Eileen White to name a few. Eileen White also held a workshop at Mottisfont, which I attended with a friend and my daughter. Her work in the house at Mottisfont Abbey called “Come, Heavy Sleep” 2011, was very inspirational and by far the most moving of all the art on display. On our workshop session she guided us through her method of visualising the subject matter and transforming it. The inspiration for her creation was the Winter Garden at Mottisfont Abbey. This is where we too began, sketching and then translating our sketches into paper and then cutting. Needless to say I have not produced a work of art that will be shown anywhere, but I think Isabella was very much inspired. She has been drawing trees and plant life ever since and now carries a sketch book with her most of the time.
July 8, 2011 § 1 Comment
I have been a very busy girl of late, I managed to cram 3 exhibitions in one week! First on the exhibition tour was Constable at Salisbury Museum. It was a gloriously sunny day, not a cloud in the sky to be seen over Salisbury. Which is pretty unusual in this part of the country. Although, I am not sure whether we have more than our fair proportion of clouds than anywhere else but the thought of ‘clouds’ was heavily on my mind, as I was walking around the exhibition. Much has been written about Constable’s love for his wife Maria (a book came out last year ‘Constable in Love’ by Martin Gayford- I haven’t read it yet). However, as a romantic landscape painter, I think that he was as much in love with clouds as he was in love with his wife! And who can blame him?
Constable spent his honeymoon visiting his friend and patron the Bishop of Salisbury Rev. John Fisher. Consequently, came to visit Salisbury a number of times and painted Salisbury Cathedral, as well as other local landmarks. Amongst many of his paintings, the 2 that stand out the most for me are his watercolours of Old Sarum and Stonehenge. Both on loan from the V&A for the exhibition. Both have truly remarkably dramatic clouds. The Stonehenge watercolour was painted after the death of Constable’s wife Maria and his closest friend Fisher. The mood is surely one of melancholy and desolation, despite its double rainbow. Both of which he must have felt at the time. Stonehenge was shown at the Royal Academy Summer Exhibition in 1836. I was very suprised to find out that Constable only sold about 20 paintings during his lifetime in England and yet sold more than this number in France in only a couple of years.
The Robin and Lucienne Day exhibition at Pallant House Gallery in Chichester was next on my tour. What an amazing building. Pallant House is a Queen Anne town house Grade 1 listed building, dating from 1712. It also has a very modern extension, dating from 2006. It houses modern art and has a good restaurant called Field & Fork. It’s small but the freshly baked rolls and food were great! There was a very aptly named installation at a stairwell, looking out to a well proportioned window: ‘The Evening Star and ‘Passing Cloud after Constable’ by the New York contemporary artist Spencer Finch.
The exhibition itself was very interesting. Robin and Lucienne Day were a husband and wife design duo of the post war era. Robin designed furniture and Lucienne textiles. Both designed for the Festival of Britain in 1951, which is celebrating its 60th anniversary this summer. Robin designed the chairs for the Royal Festival Hall, which had to be mass produced cheaply. His designs are very functional and served a purpose. He designed chairs for the orchestra and chairs for the public lounge areas. This meant that as well as style and function, the chairs needed to be mass produced cost effectively. Hence, the materials he used reflected these requirements.
Lucienne’s abtract textile designs in the ealy part of her career were influenced by her love of modern art. In particular the paintings of Joan Miro and Paul Klee. I particularly like her bold design in bright red and oranges and blues and greens. They feel pretty contemporary. Although her Calyx design for Heals was the one that brought her to prominence, I like some of her later designs, such as Magnetic (1957), Apollo (late 1950s), Apex (1961), High Noon (1965), Sunrise (1969), Petal (1971) and Parkland (1974). I can’t show you any of the fabrics here due to copyright but if you wish to see the fabrics go to Dwell, where you will find a slideshow of some of the fabrics mentioned above under the heading ‘Britain’s Mid Century Female Designers’.
I have found a very good review of the exhibition at the Architects’ Journal, which will do it justice more than I can hope to. So, if you are interested please read this. Unfortunately, the exhibition is now closed. I just managed to get there in its final few days. Also, the Design Museum have a concise write up on Robin and Lucienne Day, as well as other prominent designers past and present.
Finally, The Royal Academy’s Summer Exhibition. I get such a buzz from going to the RA, one visit is just not enough. There is so much to take in that another visit is definitely worth making. There were big installations and canvases that would look great in public places. As we have limited wall space in our living areas, such big works of art are out of the question. We had acquired a Bill Jacklin ‘Skaters ‘ some years ago from the Summer Exhibition. I was very happy to see some of his new work that he submitted for this year. Once I visit again, I will be able to report back with more information.