October 1, 2012 § 1 Comment
I know I am probably showing my age here but when I heard that the South Korean rapper Psy’s Gangnam Style song (?) had topped the UK’s singles charts on the radio 4’s Today programme, I thought I would investigate further. Having just watched the video on You Tube, (apparently the most ‘liked’ of all time) I am left with mixed feelings (“personally thought it was cool“ – David). I guess it is quite a catchy tune but the video, which is hugely popular and bizarrely has a number of celebrities favourable comments on the horse-riding dance moves… doesn’t really do much for me…. kids have been doing those steps since they were four! I know I am out on a limb here, given that a huge number of fans worldwide. I quite enjoy a bit of rap, I have even been known to blast out Eminem in the car when the kids are not in it! Psy’s supposedly satirical comment on today’s society becomes a self fulfilling prophecy.
It did get me thinking of about other South Korean designers who are beginning to get a lot of coverage as they return back to SK from international design schools. You should have a look at Monocle’s recent podcast. Really makes us want to travel to SK and catch up with our own favourites, Ji-hwan Kim and Sol-Jin, who make up the graphic design company Zero per Zero. They are hugely talented and we are very proud to represent their talents on Raw Dice. Their range of maps and various other stationery products are highly individual and quirky. Here are some of their interpretation of major capital cities underground system that are available as posters and calendars from Raw Dice;
The London version of the ever famous Underground alas can not be shown here due to a copyright dispute. No sooner had we received a batch of posters, maps, notebooks and tape of London, the powers to be (lawyers) from the design bullies at London Transport advised us that all these products are in danger of copyright infringement! Here is a link to what you could have bought and make your own mind up (bear in mind colour, tube names cannot be a copyright issue).
I did think that maybe they could also do a bit of self-publicity, but releasing a catchy tune and a crazy video. It seems that to succeed in this media driven world, the more outlandish the better, personally prefer the longevity of quality design…, it will be interesting to see if this S-K rapper can sustain the attention span of the current generation!
September 13, 2012 § Leave a comment
We were very excited last year when Francisca Prieto took part in the Royal Academy of Arts Summer Exhibition 2011 with her work ‘Between Folds / British Birds‘. She was selected from over 11,000 entries to be hung at the Royal Academy of Arts. Since then, she has been busy with many exhibitions to her credit.
Born in Chile and since 2003, after studying for an MA at Central Saint Martins, is now based in central London. Initially, she trained as a graphic designer, but Francisca’s main enthusiasm is for typography. By deconstructing type to create her own three-dimensional interpretation, she has created many unique works. We are lucky enough to showcase some of her limited edition prints of her deconstructed alphabet, inspired by the Latin alphabet on Raw Dice.
Francisca’s latest exhibition is on at the Mall Galleries, The Mall (near Trafalgar Square), London SW1. Running from 26th Sep – 9th Oct 2012. Open daily 10am – 5pm | Free admission. As part of the Threadneedle Prize Exhibition, which is UK’s leading showcase for contemporary figurative and representational art. This exhibition will showcase Francisca’s representation of Paris ‘Between Folds / Paris 1831‘.
Francisca’s works are collected by many private clients, as well as in major public collections, such as the Victoria and Albert Museum (my personal favourite museum), the Tate Gallery and the British Library. I urge everyone to go and see the exhibition. I might even bump into you!
June 3, 2012 § 1 Comment
After a long absence, here we are again. What a busy few months it has been! We have been pretty occupied choosing various fixtures and fittings for the Shoreditch pad. It has had a complete refit. New kitchen, bathrooms and a new lick of paint. Over the next few blogs I will post some pictures of the renovation.
Before starting on the photos of the indoors, I’d like to share some views of graffiti from the kitchen sink! These new works of art just went up last week. Not sure how long it will be there since it is on the wall of a building where a new hotel is due to go up soon. This will be a real shame as we undoubtedly will lose the ever changing art work in Christina Street.
April 5, 2012 § Leave a comment
A busy March kicked off with a great exhibition (on at Tate Modern until 5th June 2012) at the Tate Modern – Yayoi Kusama, a bright and eclectic mix of innovative styles. I wish I’d taken the kids as they would have loved this, bright vibrant work. Yayoi’s self imposed psychiatric care shouldn’t offset what is a truly remarkable and exciting collection of her work.
Not a favourite, but visited Alighiero Boetti (on at Tate Modern until 27th May 2012) an influential Italian artist, but whilst the copying of magazines by students I found pretty uninspiring, it was the work – from what I could gather – undertaken at his instigation with the Afghans in the 1970’s creating amazingly bright embroideries, including the famed Mappa, world maps which seem to have been at their brightest when colours were accidentally incorrect (pink oceans – because that was the material to hand) and then, as it worked so well, subsequently encouraged. Their size and rich colours requires them to be seen first hand… again worth a visit with the children once you’ve been through Yayoi (and skip over the awkward questions from the more perceptive kids!).
Friends kindly invited me to a viewing of Lucien Freud (National Portrait Gallery) a truly massive collection of his work, have to say an almost over whelming collection of flesh.. with the over whelming paintings of the benefits supervisor and his friend Leigh Bowery. The most striking contrast for me was the change from when painting what seemed like the rough textures of those who sat for months at a time for him (probably why so many of the subjects are unconscious), to the softer warmth of his painted children. The most striking works were his self portraits that seem to capture the strength and vitality of this man in a way that surpasses the works he spent on others… not to undermine the extraordinary capture of people, warts and all, with a strength and depth that defies your ridicule.
So following a visit to both of these exhibitions it came as a pleasant surprise that week to see our Duller Highlighters accompanied in the ES Magazine alongside Yayoi and Lucien Freud. It was a well framed piece (seen in our press section) and promoted them well… even if a bit on the small side! The pens if you don’t know them are a set of regular coloured highlighters, but with a delicate brush, modelled on Japanese ink brushes allowing for a more pleasant way to apply highlighting, but also an interesting artistic tool whether practising your character brush skills, enhancing comic illustration or enhancing your ink artwork.
February 14, 2012 § Leave a comment
… In case you were wondering whether this is a roll call of the men in my life, let me enlighten you – they are not. Last Friday I just managed to catch a glimpse of Leonardo Da Vinci’s work on display at the National Gallery exhibition. I say glimpse since it was so very busy when went, I guess due to the fact that the exhibition was due to end on the 5th Feb. Despite the civilised pushing and elbowing out of the way, I was amazed at the size and the level of detail of his drawings. His reputation as a great artist and polymath is undoubted, but nowhere in the literature about him did I see any mention of his fantastic eyesight! He must have had what we call ’20/20 vision’ and a great deal of patience and clarity, since the miniature intricate drawings are a marvel to see. I am no art historian or curator, but in my humble opinion (for what it is worth), I am guessing that his numerous drawings acted as a mini sketchbook for the big murals and pictures he created. Artists these days seem to work on a very large scale, hence the need for spaces like the Tate Modern to accommodate them. Which brings me nicely to my afternoon at the Tate Modern.
It was freezing in London last Friday, so I took refuge in the afternoon, prior to my evening visit to the National Gallery, at the Tate Modern. Currently, there are no major exhibitions on, so I spent my time going around their collections. I was really pleased to see two paintings (Marguerite Kelsey 1928) & (Portrait of a Young Woman 1935) by Meredith Frampton, which I have discovered from my regular post updates from The Persephone Books. I also discovered the very enlightening photographs of Akram Zaatari, dating from Studio photos taken in Lebanon in the 1960s and 1970s (situated on Level 5 New Documentary Forms – Tate Modern). Looking at these photos I felt as if I knew some of the people and could associate with them. Perhaps, spending part of my childhood in Turkey meant that they were not totally alien to me.
As for Rob and John, one sunny January afternoon, I had wandered over to Mottisfont Abbey (A National Trust property in Hampshire), to see Cutting Edge Contemporary Paper Art Exhibition. It showcased works from contemporary artists such as Rob Ryan, John Dilnot and Eileen White to name a few. Eileen White also held a workshop at Mottisfont, which I attended with a friend and my daughter. Her work in the house at Mottisfont Abbey called “Come, Heavy Sleep” 2011, was very inspirational and by far the most moving of all the art on display. On our workshop session she guided us through her method of visualising the subject matter and transforming it. The inspiration for her creation was the Winter Garden at Mottisfont Abbey. This is where we too began, sketching and then translating our sketches into paper and then cutting. Needless to say I have not produced a work of art that will be shown anywhere, but I think Isabella was very much inspired. She has been drawing trees and plant life ever since and now carries a sketch book with her most of the time.
July 8, 2011 § 1 Comment
I have been a very busy girl of late, I managed to cram 3 exhibitions in one week! First on the exhibition tour was Constable at Salisbury Museum. It was a gloriously sunny day, not a cloud in the sky to be seen over Salisbury. Which is pretty unusual in this part of the country. Although, I am not sure whether we have more than our fair proportion of clouds than anywhere else but the thought of ‘clouds’ was heavily on my mind, as I was walking around the exhibition. Much has been written about Constable’s love for his wife Maria (a book came out last year ‘Constable in Love’ by Martin Gayford- I haven’t read it yet). However, as a romantic landscape painter, I think that he was as much in love with clouds as he was in love with his wife! And who can blame him?
Constable spent his honeymoon visiting his friend and patron the Bishop of Salisbury Rev. John Fisher. Consequently, came to visit Salisbury a number of times and painted Salisbury Cathedral, as well as other local landmarks. Amongst many of his paintings, the 2 that stand out the most for me are his watercolours of Old Sarum and Stonehenge. Both on loan from the V&A for the exhibition. Both have truly remarkably dramatic clouds. The Stonehenge watercolour was painted after the death of Constable’s wife Maria and his closest friend Fisher. The mood is surely one of melancholy and desolation, despite its double rainbow. Both of which he must have felt at the time. Stonehenge was shown at the Royal Academy Summer Exhibition in 1836. I was very suprised to find out that Constable only sold about 20 paintings during his lifetime in England and yet sold more than this number in France in only a couple of years.
The Robin and Lucienne Day exhibition at Pallant House Gallery in Chichester was next on my tour. What an amazing building. Pallant House is a Queen Anne town house Grade 1 listed building, dating from 1712. It also has a very modern extension, dating from 2006. It houses modern art and has a good restaurant called Field & Fork. It’s small but the freshly baked rolls and food were great! There was a very aptly named installation at a stairwell, looking out to a well proportioned window: ‘The Evening Star and ‘Passing Cloud after Constable’ by the New York contemporary artist Spencer Finch.
The exhibition itself was very interesting. Robin and Lucienne Day were a husband and wife design duo of the post war era. Robin designed furniture and Lucienne textiles. Both designed for the Festival of Britain in 1951, which is celebrating its 60th anniversary this summer. Robin designed the chairs for the Royal Festival Hall, which had to be mass produced cheaply. His designs are very functional and served a purpose. He designed chairs for the orchestra and chairs for the public lounge areas. This meant that as well as style and function, the chairs needed to be mass produced cost effectively. Hence, the materials he used reflected these requirements.
Lucienne’s abtract textile designs in the ealy part of her career were influenced by her love of modern art. In particular the paintings of Joan Miro and Paul Klee. I particularly like her bold design in bright red and oranges and blues and greens. They feel pretty contemporary. Although her Calyx design for Heals was the one that brought her to prominence, I like some of her later designs, such as Magnetic (1957), Apollo (late 1950s), Apex (1961), High Noon (1965), Sunrise (1969), Petal (1971) and Parkland (1974). I can’t show you any of the fabrics here due to copyright but if you wish to see the fabrics go to Dwell, where you will find a slideshow of some of the fabrics mentioned above under the heading ‘Britain’s Mid Century Female Designers’.
I have found a very good review of the exhibition at the Architects’ Journal, which will do it justice more than I can hope to. So, if you are interested please read this. Unfortunately, the exhibition is now closed. I just managed to get there in its final few days. Also, the Design Museum have a concise write up on Robin and Lucienne Day, as well as other prominent designers past and present.
Finally, The Royal Academy’s Summer Exhibition. I get such a buzz from going to the RA, one visit is just not enough. There is so much to take in that another visit is definitely worth making. There were big installations and canvases that would look great in public places. As we have limited wall space in our living areas, such big works of art are out of the question. We had acquired a Bill Jacklin ‘Skaters ‘ some years ago from the Summer Exhibition. I was very happy to see some of his new work that he submitted for this year. Once I visit again, I will be able to report back with more information.
June 16, 2011 § Leave a comment
As I sit here and look at the rose arch in the front garden, I am off in my head planning my next few outings to London, Chichester and Salisbury. There are 3 exhibitions that I really want to see; The Summer Exhibition at the Royal Academy of Arts, Robin and Lucienne Day exhibition at the Pallant House Gallery and Constable and Salisbury at the Salisbury Museum.
I am very excited to inform you all that one of our artist/designers at raw dice Francisca Prieto is exhibiting at the Summer Exhibition. We are lucky enough to showcase Francisca’s limited edition character prints, which are inspired by the origins of the contemporary Latin alphabet.
Francisca’s work ‘Between Folds/British Birds‘ has been selected from over 11,000 entries to be hung at the Royal Academy! Francisca has been working on a series of ‘Between Folds’, where she finds old books and through a process intricate experimentation, creates a work of art. Hence providing a new narrative and a new lease of life to these old publications. Francisca is highly collectable in the art world, where her art is snapped up by international art collectors. The ‘Between Folds/British Birds‘ is already sold! You can find her work in the Saatchi Gallery and we are very proud to have her work at raw dice. We have had 10 prints beautifully box framed and ready to hang up.
We were particularly drawn to these due to the numerical interpretations. As we were deciding on our company name and logo, we envisaged the throwing of the dice and the chances it represents. If we want to get philosophical – life throws an infinite number of chances ones’ way, the trick is to capture the right number!
As I mentioned before, I have a weakness for textiles. I am an aesthetic at heart, I recently went to ‘The Cult of Beauty’ exhibition at the V&A. It covers the Aesthetic Movement 1860-1900 in art and design. Aesthetic artists, designers, poets and collectors promoted the idea of ‘art for art’s sake’ and the idea of ‘house beautiful’ became the standard for all Victorians aspiring for a cultured life. It was truly inspirational to see the iconic works of Burne-Jones, Rossetti, Leighton, Whistler, Willam Morris, Aubrey Beardsley and Oscar Wilde. Images of peacock feathers galore (natures own beautiful display of courtship), my head was spinning with the paintings of beautiful pre-Raphaelite women. The image of Pavonia, Frederic Leighton, is quite haunting. A raven haired Spanish beauty amongst images of Elizabeth Siddal, the muse and wife of Rossetti.
The exhibitions and collections at the V&A are always worth a visit. For anybody that has the same fascination with the V&A as I have, I recommend you read A S Byatt’s ‘The Children’s Book. It follows the adventures of various families during the turn of the century and part of the narrative is set around the South Kensington Museum (later named the Victoria and Albert Museum). It is a book rich with descriptions of works of art – especially pottery.
I am planning to visit the Constable exhibition and the Pallant House Gallery next week. I will keep you updated!